47 votes. And the best place to begin, naturally, is the New Yorker, where she was a staff critic, writing week in and week out for six months out of each year between 1968 and 1991. Her reviews could be controversial and she left an impact on other critics such as Roger Ebert. English 3; Document: publication year. Sources: Salon Many of Pauline Kael's reviews are on this website. (0-100 point scale) Pauline Kael's Scores. On average, this critic grades 1.2 points lower than other critics. In 1968, shortly after the publication of her review of “Bonnie and Clyde,” she became the magazine’s film critic. Country of origin: United States. Add to favorites. THE GODFATHER: ALCHEMY – Review by Pauline Kael. Simply put, Pauline Kael ranks alongside James Agee, Manny Farber, Dorothy Parker, Andrew Sarris and Frank Rich as one of the greatest American critics of the Twentieth Century. The sad implication in the title of this selection of writings by the late movie critic Pauline Kael is that the Age of Movies has passed, that movies matter less than they used to. Once she was there, however, hundreds of words became thousands. Reviews; Images; Update feed ; Fictional Characters; Actors & Actresses; Music artists; Authors; Directors ; Login or Signup; Login; Signup; Pauline Kael. Sources: Salon Many of Pauline Kael's reviews are on this website. Unknown 1 Document: author. Document: publication year range begin – Document: publication year range end. Introducing himself to a delicate, fine-boned parisienne, the farm-boy hero of Louis Malle’s new movie does not give his name as Lucien Lacombe; he gives the bureaucratic designation—Lacombe, Lucien. It is a perfect example of why film criticism is so much poorer today without her. Pauline Kael Select another critic » The New York Times, The New Yorker. Skip In 00 : 02 prev next. There will no doubt be many discussions of Kael's work and influence and with the publication of Brian Kellow's new biography Pauline Kael: A Life in the Dark, and the Library of America's forthcoming collection of her work. Before Kael came along, the movie reviews in the back of the New Yorker were kept to a polite length encompassing a few paragraphs. 2% same as the average critic. Unknown 1 Document: author. She liked to see movies with a proper audience, and her reviews usually ran well after a movie’s opening, a luxury that we denizens of the hurry-hurry internet area can only marvel at. View distribution. Pauline Kael [remove] 3; Document: director as subject. T he best way to celebrate the one hundredth anniversary of the birth of Pauline Kael, one of the most influential film critics in the short history of cinema, is, of course, to read her work. Finally Kael’s extended review—really more of a meditation—becomes a lament for the dampening effects of Puritanism, regardless of political affiliation, on the art of film, which she considered “the great sensual medium” and Bertolucci one of its poets. Pauline Kael [remove] 9; Vernon Young 1; Document: director as subject. Kael was known for her "witty, biting, highly opinionated and sharply focused"[1] reviews, her opinions often contrary to those of her contemporaries. In these years Kael covers the constant search for the next blockbuster - the "infantilization of the movies", as Pauline Kael described it only some volumes back, … She had a taste for violence in films, but only when it was purpose and she disliked movies she felt were superficial or manipulative. Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Stats. To find a movie title, click on a letter. Pauline__Kael’s review published on Letterboxd: The theories of Carl Jung, the purveyor of psychoanalytic dreamwork, have such theatrical flash that they must have hit Charlie Kaufman smack in the eye. 1 of 16. next. The movie is a popular melodrama with its roots in the gangster films of the 30s, but it expresses a new tragic realism, and it's altogether extraordinary. Pauline Kael . English 9; Document: publication year. Lists. December 30, 2017 A wide, startlingly vivid view of a Mafia dynasty, in which organized crime becomes an obscene nightmare image of American free enterprise. Pauline Kael’s Most Passionate Reviews, From ‘Bonnie and Clyde’ to ‘Taxi Driver’ Thumbnails. Search at Amazon. 2% same as the average critic. Reviews. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. What She Said: The Art of Pauline Kael (2019) Nell Minow . Pauline Kael (/keɪl/; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. review 3; Document: language. For a more extended discussion, see Pauline Kael's book Taking It All In. Pauline Kael Select another critic » The New York Times, The New Yorker. She is regarded as one of the most influential American film critic of her day. 2596 . Pauline Kael had an overwhelming presence in a conversation. About this list: Missing from letterboxd: -Swing Shift Director's Cut (1984) ‎Pauline Kael's favorite films(in one way or another), a list of films by invalid name • Letterboxd Letterboxd — Your life in film Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Back to movie details. Pauline Kael Reviews A-Z. The Age of Movies: Selected Writings of Pauline Kael Pauline Kael Library of America 750 pp / $40. by Pauline Kael. 70% lower than the average critic. There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. Born: 19 June 1919 Died: 3 September 2001. Current results range from 1970 to 1986. Pauline Kael movie reviews & film summaries | Roger Ebert. This is yet another one of the compilations of Pauline Kael's film review (the semi-last, covering the reviews from 1985 to 1988; she passed in 1991). Kael’s legendary essay-review about Bonnie and Clyde was published in 1967 in the New Yorker. Unlike too many "movie reviewers" who think a snappy quip is all that's required, Kael gave intense analysis even to films she disliked intensely, so that her judgements were highly nuanced and thought through. This beautifully constructed and engaging documentary explores the life and career of the inimitable Pauline Kael, New Yorker film critic from 1967 to 1991, with reflections on the importance and cultural significance of film criticism, feminism, her resistance to academicising, her influence on the rise of the American New Wave, and the impact of her often fierce reviews. Pauline Kael's 1974 New Yorker review of "Lacombe, Lucien", directed by Louis Malle by Pauline Kael. Tweet. The Age of Movies: Selected Writings of Pauline Kael … Features The Great Performances of 2020. Herself (archive footage) Blog Posts . Find on Wikipedia. review 5; program note 3; book excerpt 1; Document: language. 1 Video; 2 Pictures; 5 Lists; IMDB profile. Review by Pauline Kael. Pauline Kael was one of the most acclaimed, opinionated, and clever movie critics. For 629 reviews, this critic has graded: 28% higher than the average critic. This book covers the years from 1980 to 1983, a key period in which the big hits of the late mid and late Seventies (Jaws, Star Wars, Rocky) have made the "industry" to move and look (and only care) for the instant success. On average, this critic grades 1.2 points lower than other critics. Movies That Pauline Kael Really Liked by edshu33 | created - 30 Jan 2013 | updated - 30 Jan 2013 | Public Favorite films of one of the finest critics ever. Movie Reviews Great Movies Collections TV/Streaming Features Chaz's Journal Interviews Cast and Crew Pauline Kael Find on IMDB. https://www.sfgate.com/.../Pauline-Kael-by-Brian-Kellow-review-2324807.php For nearly 25 years, Pauline Kael was one of America’s most respected, controversial, and talked-about film reviewers. Current results range from 1962 to 2005. Review of Diner (1982) by Pauline Kael for The New Yorker — 22 Jun 2018. Pauline Kael, who died in 2001 but would have turned 100 today, looks down on my writing desk askance – or rather, 10 volumes of her reviews do. Share. The Age of Movies: Selected Writings of Pauline Kael … If ever … In Theaters Leonard Maltin Movie Reviews December 26, 2019. Refine See titles to watch instantly, titles you haven't rated, etc. Last updated: 09 Jan 2021 at 21:46 UTC. Nov 10, 2016 - The list is non preferential. by Pauline Kael. Fellini, Federico [remove] 3; Document: film title. Each link contains between 20-30 reviews. (0-100 point scale) Pauline Kael's Scores. Nov 10, 2016 - The list is non preferential. She was one of the most influential American film critics of her era. 70% lower than the average critic. View distribution. In this week’s issue, I write about Pauline Kael, who was a New Yorker film critic from 1968 to 1991, and whose reviewing helped establish several movies… For 632 reviews, this critic has graded: 28% higher than the average critic. Document: publication year range begin – Document: publication year range end. These, every one of the reviews are magisterial writings of non-fiction. Edit page. A contributor to the New Yorker from 1968 until 1991, Kael’s reviews were collected in several volumes, including I Lost It at the Movies , Kiss… The review compilations of Pauline Kael are all excellent and a joy to read.